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Dave Itzkoff



Chad Batka

Dave Itzkoff is the author of "Mad as Hell," "Cocaine's Son" and "Lads." He is a culture reporter at The New York Times, where he writes regularly about film, television, theater, music, and popular culture. He previously worked at Spin, Maxim and Details, and his work has appeared in GQ, Vanity Fair, Wired and other publications.

Itzkoff, who knew the late Robin Williams on a personal level, gives us the biography we've been waiting for: a portrait of a brilliantly nimble-witted performer who spent most of his life battling a crippling lack of self-confidence and depression. Williams' suicide in 2014 took most of us by surprise, but here the author shows how Williams' seemingly inexplicable act was the end result of a lifetime of inner turmoil and an inability to find peace within his own mind. The book includes material drawn from wide variety of people, including F. Murray Abraham, Norman Lear, David Letterman, Bruce Vilanch, Henry Winkler and Terry Gilliam. The book has some nifty trivia (first choices to play Mork from Ork were John Byner and Dom DeLuise), but this isn't one of those skimming-the-surface Hollywood bios. It's a meaty, well-researched, moving story of a man who could never quite come to terms with his own brilliance.(copyright 2018, American Library Association)

"Robin," is a well-written page-turner, it's the definitive biography of the genius of Robin Williams, whose life redefines the highs and lows of the American dream". ~Steve Martin.

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Books:
Robin
History / Biography
Henry Holt and Co.
May 2018
ISBN 9781627794244
544 pages
$30.00, INSTOCK
Buy now

"From New York Times reporter Dave Itzkoff comes the definitive biography of Robin Williams-- a compelling portrait of one of America's most beloved and misunderstood entertainers. More/less

Mad as Hell: The Making of Network
Book / Movie Biz
St. Martin's Press
March 2015
ISBN 9781250062246
304 pages
$22.00, INSTOCK
Buy now

"Dave Itzkoff takes us on an extraordinary journey, and in the process reveals Chayefsky's prognosis for TV, a prognosis we've chosen to ignore even as it's come true before our eyes. More/less

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